Tuesday, February 2, 2010
SimpsRock
http://tinyurl.com/ykbhc8s
Best performance:
Best Quote:
"Hullabalooza isn't about freaks; it's about music, and advertisement, and youth-oriented product positioning." --Sonic Youth's Kim Gordon
Tuesday, December 29, 2009
THE CUGEROCK TOP 15 ALBUMS OF 2009!!!
Late pickup but I cant stop listening...incredible album. I loved their last one and this one "kills-it". Best of '09 by far.
See my post on 6/11/09. Media blitzkrieg but a rock-solid showing from my favorite Frenchmen. Relatively on par with Its Never Been Like That which is one of my top albums of all time.
Saw them a few times over 2009 and they continue to sustain themselves through their records and live performances as one of my favorite bands of all time .
Saw them live recently with Sonic Youth which didn't blow me away per usual (see my post from 5/7/09) but this album is so strong. Takes me back to the Without A Sound/Where You Been/Hand It Over days.
Great work boys. Album is solid. Thanks for the reco Stricklands.
See my post on 2/4/09 - Takes a bit to get used to but the sound is so unique its like no album Ive ever heard. Start off with the singles and you'll warm up to the full album.
See my post on 9/4/09. Unreal how these legends continue to raise the bar of rock year by year. Most evident in their live shows...just saw them on 11/21/09 in NYC with DJr...blown away.
See my post on 3/26/09. Sleeper hit of '09 for me.
See my post on 5/22/09. Its like they were cryogenicaly frozen for a decade. Awesome.
Recent pickup (per a Facebook reco from my old college buddy Carl) that oddly matches all of the reviews of being Beach-Boys esque, "dream-pop" etc. Solid.
See my post on 11/18/09.
Album and subsequent videos make me miss my younger NYC days.
NSFE. You want to let off some steam (aka - smash something) buy this album (ladies...might want to side-step)
These brits continue to make solid rock records. Id say this album is parallel to Last Broadcast which was my inaugural Doves listening experience.
Got bad reviews from the music press but I think their sophomore record is pretty rockin yet different from Carnavas.Thursday, December 17, 2009
DUST OFF YOUR DEVIL-HORNS COMPADRES!!





Wednesday, November 18, 2009
BUILT TO SPILL: The Trocadero 10/16 (Philly)


y time I listen to that album I get flashbacks of me gleefully running around dodging passed out stragglers in my POS house on North Chapel St. I caught a set-list from a recent B2S show in NYC off Brooklyn Vegan and was floored…tracks like Kicked it in The Sun, Stab and Time-Trap. My cousin Danny will tell you...I’ve been waiting to hear Time-Trap live for a decade. Every show we would go to in NYC I would be “that guy” yelling out (booze on breath) “Tiiiiiiime Traaaaaaaap” constantly. Its worked only a few times in my life…one time at a Lemonheads show I yelled out “Frying Pan” and Evan responded “I can do that”. I think it worked at a Quasi show at the Knitting Factory once as well for “All Bent Out of Shape” a rare gem. Again I digress.
I thought I knew what to expect by looking at prior setlists. I almost wished I didn’t see the NYC set-list prior cause I was pretty blown away from the Philly set. Here is is:
- Traces
- Distopian Dream Girl
- Stab
- Nowhere Lullaby
- Fly Around My Pretty Little Miss
- Wherever You Go
- Else
- Nowhere Nothin Fuckup
- Stop The Show
- Planting Seeds
- Sidewalk
- Untrustable/Part 2 (About Someone Else)
- (Encore)
- The Weather
- Goin' Against Your Mind
The crowd was amazing. Young, old...me. They were so into it. Doug made a point to mention to the crowd how awesome they were and that the NYC crowds that he just played to nights before absolutely sucked. Knowing that NYC crowds in general suck from my 8+ years of going to shows there...I knew he was being sincere and it wasnt "lip-service" ("Hello Cleveland!")
The biggest highlights for me was Nowhere Nothin' Fuck-up and Sidewalk. I normally wasnt to thrilled with Goin Against Your Mind off the YIR album...however as a live ENCORE...un-fucking real. Its absolutely floored me (see also: "Oops, I crapped my pants").
They played the full catalog which is always refreshing as no one wants to hear a live version of the new album. However, the new album is SOLID and the tracks live sounded great. Sadly...no Time Trap...oh well...next time. It is truly my white-whale.
Happy Turkeyday kiddos.
Tuesday, October 13, 2009
"Its gross"
(fingers in ears, eyes closed, stomping feet) LALALALALALALALALALAICANTHEARYOUICANTHEARYOUICANTHEARYOU.
Remember when the Walkmen were on The OC?...multiply that feeling x100.
Remember when the Doobie Brothers were on What's Happening?...subtract that feeling x100.
Thursday, October 8, 2009
BEULAH UPDATE...sort of

(I told you Pitchfork was still my place for news)
So that’s what Miles from Beulah has been doing the past 5 years…growing out his hair and hanging out at Hooters…with…with hooters. “Miles Kurosky – Owl Whisperer. “
I know I’ve peppered Beulah into a few of my posts. They are one of those great bands that remind me of college/early NY. I first heard tracks off of “Handsome Western States” on WVUD while driving around Newark, DE delivering pizza (Grottos) my junior year. There was no iPod auxiliary jack (or CD player for that matter) in the Ford Escort/Pizza Warmer hybrid they had me pilot. Wild West kids…wild western Delaware.
HWS was such a hard album to find if I remember correctly. I think it was an Elephant6 release which didn't have much distribution at the time...let alone to college indies. I scoured Bert’s on Main St but I think I ended up picking it up in Philly. Great story Tom…cheeeesus.
Friday, October 2, 2009
Pitchfork’s Top 500 Songs of the 2000’s: A CugeRock Commentary
Out of all of the music sites I check on a regular basis…I go to Pitchfork for news and reviews most every day. News is news and the reviews used make sense to me despite being two paragraphs longer than they should have been. Lately I haven’t agreed with some of their reviews retroactive to me purchasing and listening to the album reviewed. This concerns me.On a similar note, their “Top x of x time period” lists are always way off the mark in my opinion. Currently on the site they are doing a “Top 500 Tracks of the 2000’s” ( http://tinyurl.com/qn9ygo ) or what they view as the top 500 influential songs given the past decade. They also have many other related articles and lists including the top 200 albums of the past decade which oddly enough I completely agree with…aside from a few rankings in question.
Now back to the issue at hand. Someone high up at Pitchfork (I’m acting like its Globex Corp.) or Mr. Pitchfork’s son/daughter (Pete or Penny Pitchfork) must absolutely love the band The Knife cause I feel like they’re on every top whatever-the-fuck list they put out…and they suuuuuuuuuuck. Antony & the Johnsons is a close second. One year I think two of the Knife’s albums were in the top 5 for the year. So I thought…wow…these guys must be good. Notsomuch. I know Pitchfork doesn’t like to make obvious ranking choices but peppering in obscurity for obscurity’s sake or pop-music singles for pop-music singles sake does not do anyone any good. You shouldn’t reward artists who cater to what would sound good at a pro basketball game during a timeout. I used to give Pitchfork the benefit of the doubt as they are music experts (and honestly…I still do) but once you read the disparities below you’ll see how I’m starting to have doubts. Keep in mind…this what they are saying is the top 500…FIVE HUNDRED SONGS OF THE PAST 10 YEARS….top 500….last ten years.
KEY MATCHUPS IN QUESTION - (#Ranking. Artist – “Song” vs #Ranking. Artist – “Song”)
1. Outcast – “Bombs Over Baghdad” vs 301. The Shins – “Kissing The Lipless” (SHOULD BE #1…or at least in the top 10…301? Crickets!)
146. Fennez – “Endless Summer” vs 255. At the Drive-In - "One Armed Scissor" (WHAT A LOAD OF FENNEZ CRAP – LISTEN TO THIS – IT’S NOT EVEN A SONG. How can you kick ATDI in the crotch with that ranking?) Maybe it’s just me but the list seems to have too much LCD Soundsystem, Hot Chip, Robyn and of course…Outcast. Don’t get me wrong most all of the pop-songs I detail above are no doubt important and should be a part of this list as they have had relevance across the decade…I mean…especially Jurgen Paape – “So Weit Wie Noch Nie”…no one could deny the catchiness of that one (eyes rolling like a slot machine). Seriously, just because I personally don’t like them doesn’t mean they shouldn’t be included or are important (except for Jurgen…I mean…c’mon). Outcast songs like “Hey Ya”, “Ms. Jackson” and “Bombs Over Bagdad” are great tracks. I love them…any normal human being would. “I am foreaaaaal”. I only have issue with the ranking…I just have issues in general. Bombs Over Baghdad…the top song that defines the decade? I’m sorry….am I being completely biased to rock songs here?
TRACK MIS-STEPS: No tracks on the list were off of the latest Fucked Up album? They threw an older track on for indie cred I guess. No New Pornographers songs off of Twin Cinema? Sing me Spanish Techno? Bones of an Idol?
BANDS LEFT OFF THE LIST ALLTOGETHER: Mates of State, The Anniversary (No DANB tracks?), Quasi, Maritime or Promise Ring (No Electric Pink EP tracks? That was 2000), Stephen Malkmus, Stereolab, Blood Brothers, Matt & Kim, Pilot to Gunner, Radio 4, SLOAN (you have something against Canada?), Rainer Maria, Pretty Girls Make Graves, Beulah. Really…no Stereolab…nothing off Sound Dust. Really? WTF LMAOOL OMG Pitchfork.
My friends will tell you that I enjoy making people mixes…often. I do repeat bands within the mix on RARE occasions. In terms of the top 500 songs of the decade so many tracks could have been cut from bands who appear multiple times on the list (albeit good bands) and so many great tracks could have been included from the aforementioned bands left off.
I could go on but I feel so jaded that there is a sense of physical pain. I’m not an angry person…but when it comes to music...I can get spicy. I just don’t understand the logic applied in terms of what songs are considered more important or more influential than others not to mention the bands that were left out entirely. Please give me a job at Pitchfork and we can discuss…as frienemies.
Friday, September 4, 2009
SONIC YOUTH: Retrospective/Album Review -The Eternal
Some bands that have been around awhile, 25 years or so and still tour (less likely to record new tracks) usually sound like garbage…more pop…lyrics lose complexity…tempo decreases. The term “going through the motions” comes to mind. They play the songs that made them popular as an opener and encore but they are usually a lot slower than the originals. Then there is Sonic Youth.
When I heard the Sonic Youth track 100% when I was a kid I thought. “Ummm this is cool”. That was probably the first track I ever heard…then I heard Dirty Boots and said to myself “Umm holy shit this rocks”. They had a way of closing tracks so kick-ass. Then I proceeded to pick up the albums Goo and then Dirty (on cassette tape). I especially liked Goo as this was a nickname I had for a brief period when I was a pre-teen (don’t ask). I listened to them constantly as I delivered pizza in high school. I must be honest that I didn’t dig Kim Gordon’s voice at first…that quickly changed when I heard Kool Thing. Man she’s awesome. Her duet (so to speak) with Chuck-D was reminiscent of Debbie Harry, Blondie-esque but for a new generation. Daydream Nation I didn’t get into later although it came before those other two albums mentioned. Teenage Riot is hands down one of the top songs of all time in my opinion. When I lived in a dingy (that’s being polite) basement on 2nd St in the East Village with my cuz we would go to this local bar called The Library for happy-hour pretty much every other Friday. We would throw in 3 or so bucks and would play the same songs every single time…mine were Minot Threat and Misfits. Danny’s were Pavement and Sonic Youth…no other song but Teenage Riot.

Sonic Youth has so many albums that on the later records I would only pick and chose tracks to download as most of them sucked in my opinion. They were too much of what they are famous for which is long track times filled with feedback. Rather Ripped was refreshing as the tracks had some structure and vocals to them (Download - Reena). I remember seeing them when I was in high school with Pavement, Bosstones, 311 etc at the Philly WDRE fest in the early 90’s. They headlined but their set sucked as all they played were 10min long songs filled with distortion (that’s what I remember). As a teenager I didn’t really “get” what they were trying to do with a live show. I was filled with angst. “Whatevs”. I wonder if that tour many years ago brought them together with former Pavement bassist Mark Ibold…who is now a permanent SY band member. Hmmm. I heard them live two other times. Once my cuz and I couldn’t get into the Central Park Summerstage show so we listened from outside the fence…so good. The last time was literally a year ago on Labor Day weekend when I saw them at the final Macarren Park Pool show in Brooklyn. That weekend actually spawned the Cugerock blog. They were so freakin good. The songs they played were across the catalog and the sound was amazing. Thurston played guitar behind his back for Gods sake. Such a great night. That brings me to their latest album The Eternal.
This album is truly a Sonic Youth album but the melodies and guitars are slightly different. It has the perfect mix of distortion and melody which skewed other albums one way or the other. The first track Sacred Trickster could have been off of Dirty. Same goes for Thunderclap For Bobby Pryn which comes later in the album. Pretty hard not to rock along with either of these tracks. That said they weren’t very different from that their back-catalog. The first track that hooked me was Leaky Lifeboat as it didn’t sound like the normal SY intro. While Anti-Orgasm, the second track is one of those classic 6minute distortion rants. Antenna (the 4th track) is 6minutes of great rock melody and vocals (with a little distortion mixed in which is expected). What We Know if very rockin and pop-ish. Its refreshing and puzzling altogether. Total rocker…maybe Mark had some influence on it?…theeeeen you hear the distortion….classic SY. That was Thurston’s turn and Kim was next with Malibu Gas Station. I feel like Thurston took a few pages out of his solo effort Trees Outside the Academy with tracks like Walkin Blue. This is my favorite track on the album. The husband and wife come together (rare) on No Way which is so kick-ass I can’t even tell you. If I ever hear this live I will pee my pants. Good thing I’m going to see them with Dinosaur Jr in November. WHU-WHU-WHAAAAAAAA??? Such a lineup….reminiscent (yeah I’ve used that word twice in this post) of the Swervedriver/Hum tour.Like I said, Sonic Youth has such an extensive catalog of music. My bro in law Rob, Eric or my cousin Danny could definitely school me on SY history. I only have experienced a small chunk which had a definite impact on my teenage years….stepped away…and now is back in a significant way. The staying power and relevance of this band is unparalleled. They are an influence on countless bands from mainstream to indie. Most bands from the 80s that are still “on the scene” just plain suck now - U2 I’m looking in your direction. “Blackberry loves U2”…great well Tommy doesn’t. I “Used2”. Ha!
Happy Labor Day kiddos.
Monday, August 31, 2009
Grizzly Bear News


1. I heard "Two Weeks" in CVS over the in-store radio station (file under "wtf")
That is all.